In review

Director Edward Berger amasses momentous performances from Ralph Fiennes, Stanley Tucci, John Lithgow and Isabella Rossellini in a thriller detailing the process and politics choosing a new Pope at the Vatican. In the first scenes, the aged Pope has died setting the scene for the rituals involved in burying the Holy Father and preparing to elect a new one. 

Berger, (All Quiet on the Western Front) directs the compelling script written by Peter Straughan, (Tinker, Tailor, Soldier, Spy), filled with deliberate dialogue, well delivered by some of the greatest actors of our time. It’s adapted from the Vatican thriller by Robert Harris. Straughan develops each character with measured words. 

The Cinematography shot by Stéphane Fontaine (Jackie) is exquisitely detailed and the reds of the Pope’s and Cardinal’s robes pop against the backdrop of the breathtaking frescoes everywhere in the Vatican.  The soundtrack, created by composer Volker Bertelmam (also known as Hauschka) adds to each scene’s ambiance, creating tension in sensitive scenes. 

This film starts slowly and proceeds calmly until you get to know the characters and the age old process in which they are about to engage. But it doesn’t take long to find behind-the-scenes power plays showing cardinals arriving at the magnificent Vatican for the delicate procedure which is about to present incredible intrigue. Candidates have to be nominated, discussed, and then voting by secret ballot ensues, one round after another, up to 4 times a day behind locked doors, until there is a two thirds majority. 

Cardinal Thomas Lawrence (Fiennes) is tasked with running the operation which, in back door negotiations uncovers a trail of deep secrets left in the dead Pope’s wake, secrets which could shake the foundations of the Church. Coalitions form as the different candidates become known. The tension builds as Cardinals side with different candidates while secrets are revealed about certain favorites, relationships, and who is siding with whom. As with any kind of election, you may think you know who will win this contest to find just the right demeanor, devotion, and responsibility to take on one of the most powerful religious institutions on Earth. 

There are factions for favorite candidates, as well as those who do not want to throw their name in the ring. Aldo Bellini (Tucci) was very close to the late Pontiff, but even though Lawrence says he should be next, Bellini says he doesn’t want it because he doesn’t think he can get the votes. Cardinal Tremblay (John Lithgow) seems to want it bad. He’s ambitious. Each candidate has their own flaw, each with their own agenda.

At the same time, the quiet, but powerful, Sister Agnes, (Rossellini) all-knowing of what goes on at the Vatican, maintains a straight-face, hovering in the background. She provides a mysogynistic explosion at the Cardinals who don’t seem to have a clue.  Little by little, the reveals heighten the tension as the Cardinals continue vote after vote. We keep learning the political ramifications and secrets that can affect the chosen who will become the new Pope.

The sudden appearance of a heretofore unknown Cardinal Benitez (Carlos Diehz) further throws the proceedings into chaos. None of the Cardinals even knew that he had recently been appointed by the now deceased Pope. Benitez is soft-spoken and still clings to the aspirational principles of faith and goodness. 

Director Berger with writer Straughan create captivating characterizations from Fiennes, Tucci, Lithgow, and Rossellini in an immaculately crafted study behind the business of religion. Believe it. 

Focus Features      2 hours       PG 

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