{"id":10170,"date":"2021-01-14T04:04:25","date_gmt":"2021-01-14T04:04:25","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=10170"},"modified":"2021-01-15T04:05:57","modified_gmt":"2021-01-15T04:05:57","slug":"one-night-in-miami","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/one-night-in-miami\/","title":{"rendered":"One Night in Miami"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]Even though this is a fictional account of the night four African American icons actually got together for a celebration in 1964, it is the recreation of an insightful and intense discussion relevant to activism and racial injustice today. This film takes them off the pedestal showing their vulnerability as well as their strength and influence.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Writer Kemp Powers is flexing his artistry with not one, but two noteworthy films out at the same time. The journalist turned play and screenwriter wrote <i>One Night in Miami <\/i>and also-wrote Disney\/Pixar\u2019s <i>Soul<\/i>. Both being considered for awards this year.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Director Regina King (Best Supporting Actress Academy Award Winner for <i>If Beale Street Could Talk<\/i>\u201d and star of <i>Watchmen<\/i>) now has the distinction of being the first African American female director of a film that premiered at the Venice Film Festival. Powers credits King with taking his theatrical work and he says that adding her touch to this male driven film made it better. King even added scenes, including one with Malcolm X and his daughter showing his softer side.[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;10178&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;10177&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;10181&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]<i>One Night in Miami<\/i> is based on Powers\u2019 2013 play which he wrote after<span class=\"Apple-converted-space\">\u00a0<\/span>reading Mike Marqusee\u2019s book, \u201cRedemption Song: Muhammad Ali and the Spirit of the Sixties.\u201d It crosses civil rights with sports and inspired him to write about what might have been discussed if Cassius Clay (on the cusp of becoming Muhammad Ali) Malcolm X, Football\u2019s Jim Brown and popular crooner, Sam Cooke, ended up in a motel room together. They are in Miami for Clay\u2019s heavyweight championship fight against the favorited Sonny Liston. Because of Clay\u2019s unexpected win, there was no planned celebration.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Here, the four men end up in a motel room discussing, sometimes heatedly, what their role is in Dr. Martin Luther King\u2019s Civil Rights movement. Malcolm X (British actor Kingsley Ben-Adir &#8211; <i>Peaky Blinders, The OA, The Comey Rule<\/i>) is in the midst of re-thinking his role and challenges the other 3 to do the same. This is where Malcolm X is trying to get Clay to join him in the Nation of Islam and is leading the men in serious conversation about themselves, their celebrity and the state of race in America.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Eli Goree, (<i>Riverdale, Ballers<\/i>) as Ali, went after the part and shows himself to be as confident, charming, funny and witty as The Champ himself. It didn\u2019t hurt that the actor had been boxing for years and had the muscle to back it all up. But his pugilistic style was not to float like a butterfly as Ali did. He had to learn to dance more and he pulls it off.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Leslie Odom, Jr. (Tony and Grammy winner for <i>Hamilton<\/i>) plays Sam Cooke, the singer they accuse of tempering his style for White audiences. \u201cYou\u2019re a monkey dancing for an organ grinder to them.\u201d Cooke disagrees and heated arguments continue. Odom was the first choice to play Cooke, but his schedule in Hamilton almost got in the way. Somehow, it all worked out. Two of Cooke\u2019s songs, heard in the film, sound like they used original recordings . But Odom actually recorded them himself. Malcolm X did have some influence on Cooke\u2019s music. He wrote a song called \u201cA Change is Gonna Come\u201d and when he died, there was a National of Islam newspaper in his car and a copy of the \u201cMuhammad Speaks\u201d book.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;10175&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;10174&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;10180&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]Aldis Hodge plays football great, Jim Brown. He was also in the Malcolm X movie in 1992. For this role, Hodge bulked up and had padding put inside his mouth to fill out his cheeks to look more like Brown. He exudes the intelligence and quiet power of the man who listens intently to the serious discussion with the other men. At one point he takes a break and goes into the bathroom, looking into the mirror to reflect on his own purpose in a dramatic scene. Brown is known to have used his celebrity to help create economic opportunities in Black communities. He also made the transition from athlete to actor opening up opportunities in the 60\u2019s and 70\u2019s for actors of color.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>With the exception of the championship boxing match, the film is basically a theater piece taking place in that one motel room. Kemp Powers\u2019 script, good casting and performances along with King\u2019s directing keep your interest in a film that doesn\u2019t feel like a period piece at all. Regina King shines a bright light on these super luminaries who struggled with the same issues in 1964 still present today. Even though racial injustice and resistance to activism still exists, it will take more than <i>One Night in Miami<\/i> to change it.<\/p>\n<p><em><strong>Amazon Studios <span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 \u00a0 <\/span>1 hour 46 minutes<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 \u00a0 <\/span>R<\/strong><\/em><\/p>\n<p><em><strong>Amazon Prime<\/strong><\/em>[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=K8vf_Cmh9nY&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]Even though this is a fictional account of the night four African American icons actually got together for a celebration in 1964, it is the recreation of an insightful and intense discussion relevant to activism and racial injustice today. This film takes them off the pedestal showing their vulnerability as well as their strength and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":10173,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-10170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/10170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=10170"}],"version-history":[{"count":4,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/10170\/revisions"}],"predecessor-version":[{"id":10183,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/10170\/revisions\/10183"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/10173"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=10170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=10170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=10170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}