{"id":14695,"date":"2022-07-14T03:33:29","date_gmt":"2022-07-14T03:33:29","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=14695"},"modified":"2022-07-14T20:49:39","modified_gmt":"2022-07-14T20:49:39","slug":"where-the-crawdads-sing","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/where-the-crawdads-sing\/","title":{"rendered":"Where the Crawdads Sing"},"content":{"rendered":"
[vc_section][vc_row][vc_column][vc_column_text]With Reese Witherspoon\u2019s blessing, we expected this film adaptation of Delia Owens\u2019 best selling book to be beautiful and enthralling, but were disappointed. Olivia Newman\u2019s direction is slow but sure, however a number of inconsistencies throughout didn\u2019t seem to ring true.\u00a0Having read the book, Taylor Swift was so moved by the novel, she offered Reese and director Newman the haunting title song, “Carolina,” for the film.<\/p>\n

Of course, cinematographer Polly Morgan presents beautiful scenes of the marsh Zoologist and conservationist Owens details as another character in this romance\/murder mystery. They are juxtaposed with the shack young Kya\u00a0 <\/span>(Daisy Edgar-Jones) lives in alone from the time she is a little girl after the brutal treatment of her father towards her mother, brother and sisters. She\u2019s the only family member left and decides to fend for herself growing up in the marshlands, learning about every plant and creature in her surroundings.\u00a0<\/span>[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”14703″ img_size=”full” alignment=”center” css_animation=”fadeInUp”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”14697″ img_size=”full” alignment=”center” css_animation=”fadeInUp”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”14698″ img_size=”full” alignment=”center” css_animation=”fadeInUp”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Kya has little interaction with other people, except Mabel and Jumpin\u2019 (MIchael Hyatt and Sterling Macer Jr.) who play the Black couple who run the store in town. They take pity on her by helping provide food and some clothing, as well as advice. Kya already knows she is hated by everyone and prefers to be alone.\u00a0<\/span><\/p>\n

She meets the good-looking, nice guy, Chase Andrews (Harris Dickinson), by chance on the marsh. They become friends as Chase shows interest in Kya\u2019s knowledge of the wildlife and her artistry drawing what she sees. He also teachers her to read and write. When he goes off to college and abandons her, she\u2019s back to being lonely until Tate Walker (Taylor JohnSmith) shows interest. He\u2019s the brash town football hero and takes her up to an old lookout tower giving her the first bird\u2019s eye view of her beloved marshland.\u00a0<\/span><\/p>\n

Tate woos Kya and she falls hard for him while Chase is away. She finds out that Tate is not the man she thought he was. But when Tate is found dead at the base of the tower, Kya is the prime suspect and thrown in jail for the alleged\u00a0 <\/span>murder. Town lawyer Tom Milton (David Strathairn) knows Kya and her background and comes to try to help her, but Kya wants no help. She knows the people in the town have always hated her and is ready to leave it up to the court to decide guilt or innocence.\u00a0<\/span><\/p>\n

Strathairn is the only character who looks like he could have lived in that community with rumpled clothes and a deep tan. His earnest performance as her lawyer is a welcome addition giving the film aura of authenticity. \u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”14700″ img_size=”full” alignment=”center” css_animation=”fadeInUp”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”14699″ img_size=”full” alignment=”center” css_animation=”fadeInUp”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”14706″ img_size=”full” alignment=”center” css_animation=”fadeInUp”][\/vc_column_inner][\/vc_row_inner][vc_column_text]Daisy Edgar-Jones is an accomplished stage and screen actress who hides her British accent well, but director Olivia Newman shows this \u201cmarsh girl\u201d way too pristine as she grows up. She does not look like she\u2019s been outside for hours on end. She\u2019s not tan, her hair is always brushed, and she wears clothes that are far too clean and well tailored. Same goes for Tate and Chase, neither of whom have tans to show them being outside in North Carolina. Both just look too preppie. Besides that, the film plods slowly along with some pretty scenery of the marshlands.<\/p>\n

Even though this is not essentially a courtroom drama, the most compelling scenes are played out in front of a judge. The crucial plot twist and reveal comes too late to redeem the inconsistent emotional character development that should have had us more invested in Kya\u2019s predicament. From our perspective, Where the Crawdads Sing <\/i>doesn\u2019t quite play the right tune.\u00a0<\/span><\/p>\n

Columbia Pictures.\u00a0 \u00a0 \u00a0 <\/span>2 hours and 5 minutes.\u00a0 \u00a0 \u00a0 \u00a0 <\/span>PG-13\u00a0<\/span><\/i><\/b>[\/vc_column_text][vc_video link=”https:\/\/www.youtube.com\/watch?v=PY3808Iq0Tg” el_width=”80″ align=”center” css_animation=”fadeInUp”][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section][vc_row][vc_column][vc_column_text]With Reese Witherspoon\u2019s blessing, we expected this film adaptation of Delia Owens\u2019 best selling book to be beautiful and enthralling, but were disappointed. Olivia Newman\u2019s direction is slow but sure, however a number of inconsistencies throughout didn\u2019t seem to ring true.\u00a0Having read the book, Taylor Swift was so moved by the novel, she offered Reese […]<\/p>\n","protected":false},"author":1,"featured_media":14707,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-14695","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=14695"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14695\/revisions"}],"predecessor-version":[{"id":14713,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14695\/revisions\/14713"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/14707"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=14695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=14695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=14695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}