{"id":14910,"date":"2022-08-10T11:43:03","date_gmt":"2022-08-10T11:43:03","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=14910"},"modified":"2022-08-11T21:44:59","modified_gmt":"2022-08-11T21:44:59","slug":"bullet-train","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/bullet-train\/","title":{"rendered":"Bullet Train"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]Brad Pitt is likable having fun with surprise cameos, but this film is too long and repetitive, with gruesome overkill that is anything but thrilling. Pitt would be the first person to agree that it\u2019s the stuntmen who are the real stars and so is the special effects department. Maybe the most interesting fact is that it was all shot on a soundstage on a backlot in Los Angeles. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Ladybug (Pitt) is an assassin who wants to retire. Throughout his career he\u2019s had some some of the worst bad luck of any lethal killer. It\u2019s just gone wrong for him too many times. His handler, code-named Maria Beetle (Sandra Bullock) succeeds in getting him to get involved in one more job, only directing him with her voice through his earpiece. He\u2019s reluctant, until he gets on the world\u2019s fastest Bullet Train through Japan. That\u2019s when he runs into a number of other assassins on the same hot trail who keep getting in his way.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Director David Leitch (<i>Deadpool 2<\/i>) uses the speeding train to introduce the bloody encounters with an eclectic batch of dangerous killers. The film is adapted from the Japanese mystery-fiction book \u201cBullet Train<i>.\u201d <\/i>It was written by<b><span class=\"Apple-converted-space\">\u00a0<\/span><\/b> best-selling, award-winning K\u014dtar\u014d Isaka.<b> <\/b>The screenplay, written by Zak Olkewicz, tries to be clever, but we didn\u2019t find this thriller very thrilling. Dialogue is delivered so fast, it\u2019s hard to understand. Many of Pitt\u2019s quick comeback lines should have landed with bigger laughs, but get lost mixed with the sound of the train and his soft, breathy delivery.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14919&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14922&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14915&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]That is especially true of the banter between Tangerine and Lemon (Aaron Taylor Johnson and Brian Tyree Henry) who present themselves as twins. They grew up together, but you\u2019ll see there is no physical or racial resemblance. Their patter tries too hard to be too cool for the room.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The briefcase they were transporting, filled with money, disappears on the train.<span class=\"Apple-converted-space\">\u00a0 <\/span>Eventually, as the other characters join the chase, it becomes a game of hot potato. Lemon and Tangerine are two of the more fun aspects of the chase. It\u2019s clear that Leitch likes them too, but he repeats one particular shot of one of their previous jobs ad nauseam.<\/p>\n<p>Prince (Joey King) is another assassin who has a clandestine mission of her own. Funny that her character is named Prince, since we\u2019 just saw her playing one tough medieval martial arts maiden in <i>The Princess<\/i>. She doesn\u2019t have as many violent stunt moves in this one. Here, she\u2019s calm, cool, collected and pretty in pink, but we really got tired of seeing her standing in the aisle trying to look tough and then crying as the little girl in distress as a device to get her way. Her character wasn\u2019t given much depth and her backstory reveal isn\u2019t that gripping.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Michael Shannon shows up as the ultimate slaughterer with wild hair and maniacal, wide-eyed, spitting rage. He\u2019s aptly named The White Death. This is a guy with no conscience or remorse, and frankly, he lets the audience in on the joke that he\u2019s having one good time playing this evil-incarnate criminal mastermind. Shannon gleefully engages his characterization.<\/p>\n<p>More would be assassins show up for stunt-filled battles on this moving train. They include Kimura (Andrew Koji), Hiroyuki Sanada (slated for <i>John Wick 4<\/i>),Benito A Mart\u00ednez Ocasio (Bad Bunny), and The Hornet (Zazie Beetz) who shows up late in the film targeting the unluckly Ladybug. But she neither lasts long nor does much.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14920&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14923&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14914&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]This production gave work to a huge crew of stunt, special and visual effects people who got to play with lots of tools, seemingly throwing in elongated slo-mo shots in the final cut only because they could use it. If this movie were to ever be nominated for any kind of award, it would only be for sound design, music or how many scenes contain outrageous stunts. The crafty, slyly satirical use of pop and standard tunes during some truly gruesome scenes is a clue not to take any of it too seriously.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The two major flaws are Leitch\u2019s direction and the editing (Elisabet Ronaldsd\u00f3ttir). Seems no one on this project could bear cutting their favorite scenes. It begins to feel tedious by the time the train reaches its predictable final destination, leaves us on the tracks at least half an hour too long. This film is a cartoonish action-comedy, superimposed on a super gross and grisly backdrop even Pitt and the rest of the cast can\u2019t save. This <i>Bullet Train <\/i>goes off the rails as a fast trip to nowhere.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><b><i>Columbia Pictures. <span class=\"Apple-converted-space\">\u00a0 \u00a0 <\/span>2 hours 7 minutes. <span class=\"Apple-converted-space\">\u00a0 \u00a0 <\/span>R<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/b>[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=0IOsk2Vlc4o&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]Brad Pitt is likable having fun with surprise cameos, but this film is too long and repetitive, with gruesome overkill that is anything but thrilling. Pitt would be the first person to agree that it\u2019s the stuntmen who are the real stars and so is the special effects department. Maybe the most interesting fact is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14924,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-14910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=14910"}],"version-history":[{"count":4,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14910\/revisions"}],"predecessor-version":[{"id":14927,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14910\/revisions\/14927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/14924"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=14910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=14910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=14910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}