{"id":14973,"date":"2022-08-26T11:36:55","date_gmt":"2022-08-26T11:36:55","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=14973"},"modified":"2022-08-28T23:07:28","modified_gmt":"2022-08-28T23:07:28","slug":"breaking","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/breaking\/","title":{"rendered":"Breaking"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]John Boyega\u2019s gut wrenching performance will have you on edge from the get go. Director Abi Damaris Corbin makes every one of the characters in this film intensely human. You want to dislike what Boyega\u2019s Brian is doing,<span class=\"Apple-converted-space\">\u00a0 <\/span>but, as the story progresses, you feel compassion for his plight. There is another layer because you see the last performance from late great actor Michael K. Williams who died suddenly after making this film.<\/p>\n<p>We first saw it at Sundance, entitled <i>892<\/i>. It\u2019s based on Aaron Gell\u2019s 2018 article based on a true story in <i>Task and Purpose<\/i> military magazine. John Boyega plays Lance Corporal Brian Brown-Easley who is angry and desperate to get his overdue disability check from the VA. Brian is so nervous and overwound about his being ignored by his government that he decides to rob a Wells Fargo bank to get his back pay, but it doesn\u2019t go smoothly.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14977&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14976&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14983&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]There is a lot to process watching this film, especially with the intensity of the issues now facing veterans, the government, the police, in terms of race and the cost of living in this country. The wheels often turn slowly for veterans, and this soldier has reached the end of his rope.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Brian wants the money to give to his wife Cassandra (Olivia Washington) and their young daughter who he loves more than anything in the world. He wants to be able to take care of them, get back together and and get back on his feet. He approaches bank teller Rosa Diaz (Selenis Leyva) with a threatening note demanding her to hand over what he\u2019s owed. It soon becomes clear this is a holdup and Bank Director, Estel Valerie, (Nicole Beharie) calmly gets involved, trying to understand. She is stoic with ice water in her veins as she tries to provide safety for the people in the bank and defuse the situation. From then on it\u2019s a cat and mouse game.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>There are four threads that converge in this scenario. There\u2019s Brian, the bank scene, Brian\u2019s wife and daughter, law enforcement on the scene, and the TV station Brian demands cover his story. Major Riddick (Jeffrey Donovan) takes charge, calling in chief negotiator, Eli Bernard (Michael K. Williams). Director Damaris Corbin wrote the script with Kwame Kwei-Armah, and it is compelling bouncing among the principle players trying to resolve this potentially explosive situation.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14981&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14978&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;14980&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]Connie Britton is believable as Lisa Larson, who plays a role you rarely see in this kind of news story. Having worked as an assignment editor in a major market TV station, we know what it\u2019s like when you\u2019re in the hot seat trying not to interfere in what is such a sensitive ongoing conversation with Brian. Same for Williams as Eli doing whatever he can to try and defuse what could trigger the worst scenario.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>But it\u2019s Boyega who runs the show with his dire close-ups, sweat beading on his brow, trying to manage as the stakes keep escalating. You can almost feel his every emotion as he tries to get out of what he\u2019s gotten himself into. Boyega&#8217;s performance simmers below the surface. The tension is uncomfortable to watch, and Director Damaris Corbin has pulled compelling performances from Boyega, Beharie, Britton and Williams, which is riveting to the end.<\/p>\n<p><b><i>Bleecker Street.<span class=\"Apple-converted-space\">\u00a0 <\/span>1 hour 43 minutes.<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 <\/span>PG-13<\/i><\/b>[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=5Vi3EhaNOII&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]John Boyega\u2019s gut wrenching performance will have you on edge from the get go. Director Abi Damaris Corbin makes every one of the characters in this film intensely human. You want to dislike what Boyega\u2019s Brian is doing,\u00a0 but, as the story progresses, you feel compassion for his plight. There is another layer because you [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14982,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-14973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=14973"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14973\/revisions"}],"predecessor-version":[{"id":14989,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/14973\/revisions\/14989"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/14982"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=14973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=14973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=14973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}