{"id":15006,"date":"2022-09-03T18:43:04","date_gmt":"2022-09-03T18:43:04","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=15006"},"modified":"2022-09-04T16:36:30","modified_gmt":"2022-09-04T16:36:30","slug":"no-ordinary-life","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/no-ordinary-life\/","title":{"rendered":"No Ordinary Life"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_video link=&#8221;https:\/\/youtu.be\/xf7kSUmOFRA&#8221; el_width=&#8221;60&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][vc_column_text]Director, Producer Heather O\u2019Neill shows though actual video and interviews how 5 fearless CNN camerawomen brought a different perspective to their coverage of conflicts around the world. They were pioneers where News executives were reluctant to put women in the field. I experienced that myself, working for a TV news operation in the 80\u2019s, not telling those in charge I was pregnant until I just couldn\u2019t hide it anymore so I could cover stories.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>In our interview with O\u2019Neill, she says these camerawomen saw and recorded pictures and details that men didn\u2019t or couldn\u2019t capture in the same way. It was storytelling from behind the camera knowing that it\u2019s hard to show inhumanity, famines, and death with artistry without getting involved, yet still being able to survive working in war torn zones. They spoke with women and wanted to capture the faces of the people and children, which revealed so much more.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;15016&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;15001&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;15015&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]When Jane Evans went for her job interview she was told, point blank, you can\u2019t do this job because you\u2019re a <i>girl!<\/i> But she proved otherwise covering the Berlin Wall, the Gulf and Baltic Wars, famine in Africa and more. Her dream was to travel to get visuals when history was happening, and she did.<\/p>\n<p>Mary Rogers became a camerawoman so she could see the world winning an Emmy and a Peabody for her work covering the election of Nelson Mandela and the Arab Spring uprising among so many more stories.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Cynde Strand rode her bike around the world. and says she had to go the extra mile to get a shot at being a camerawoman going from Beirut to Beijing, covering the first Gulf War, Tiananmen Square, the genocide in Rwanda and famine in Somalia.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Maria Fleet started with editing before getting into the field and never went back to working in a building seeing people at their most vulnerable covering Chechnya, Kosovo, Berlin, the Gulf, and Somalia. She also won an Emmy and a Peabody.<\/p>\n<p>Margaret Moth, from New Zealand was so gutsy, some thought she had a death wish. She actually survived being shot in the face by a sniper, hospitalized long term, but went right back out a year later to cover Sarajevo\u2019s fighting in 1992. She and her story are amazing but also hard to watch after you see what she was willing to put herself through.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;15012&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;15011&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;15013&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]In the film, Christiane Amanpour describes these journalists as tough with a sisterhood bond of their own and there are scenes of all of them partying together having a ball. There are many stories about women crashing through the glass ceiling, but Director O\u2019Neill shows how these driven, courageous camerawomen broke barriers to show what was going on in the world <i>way<\/i> before the technology we have now.<span class=\"Apple-converted-space\">\u00a0 <\/span>And they were hell-bent on capturing it where many men and certainly women, had not gone before.<\/p>\n<p><em><strong>CNN September 5th\u00a0<span class=\"Apple-converted-space\">\u00a0 \u00a0 <\/span>1 hour 18 minutes.<span class=\"Apple-converted-space\">\u00a0 \u00a0 <\/span>Documentary<\/strong><\/em>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_video link=&#8221;https:\/\/youtu.be\/xf7kSUmOFRA&#8221; el_width=&#8221;60&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][vc_column_text]Director, Producer Heather O\u2019Neill shows though actual video and interviews how 5 fearless CNN camerawomen brought a different perspective to their coverage of conflicts around the world. They were pioneers where News executives were reluctant to put women in the field. I experienced that myself, working for a TV news operation [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15009,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-15006","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/15006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=15006"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/15006\/revisions"}],"predecessor-version":[{"id":15028,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/15006\/revisions\/15028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/15009"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=15006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=15006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=15006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}