{"id":4411,"date":"2019-03-28T23:03:09","date_gmt":"2019-03-28T23:03:09","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=4411"},"modified":"2019-03-30T02:39:32","modified_gmt":"2019-03-30T02:39:32","slug":"dumbo","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/dumbo\/","title":{"rendered":"Dumbo"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]This dark take on the animated classic is a lot lighter than you\u2019d expect from Director Tim Burton. Expect more visual glitz than a heart tugger about Dumbo and his mother. The characterization of the baby elephant with big ears depends on his crystal blue eyes for any emotion. Otherwise, his CGI movement, including the flying, is pretty stiff.<\/p>\n<p>The star-studded cast includes several of Burton\u2019s favorites. He\u2019s worked with Danny Devito, Michael Keaton, Eva Green and Alan Arkin in previous films including<i> Fish, Batman movies and Miss Peregrine\u2019s Home for Peculiar Children<\/i>. This is the 3rd time Devito is playing a circus role for this director.<span class=\"Apple-converted-space\">\u00a0Colleen Atwood does a good job with the costumes, especially the tailored suits for Keaton and the trapeze artist costumes for Eva Green. But those for the circus performers had to be pretty rag tag.\u00a0<\/span><\/p>\n<p>Burton, once again, over saturates his palette in this combination live action\/CGI animated film. The colors of the Medici Bros.Circus run by Max Medici (Danny Devito) and Dreamland (Michael Keaton as the rich V.A.Vandevere) are vibrant but over the top in their big tops. Vandevere\u2019s Dreamland is a marvel of technology for 1919, post World War I. It\u2019s a Disneyland on steroids with a World Fair and carnival vibe. We took it as Disneyland poking fun at itself. It\u2019s cold, with lots of hard surfaces and glaring lights, and doesn\u2019t look like much fun. Interesting that none of it was shot on location, even the exteriors were shot on a set.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The film focuses more on the human characters than the animals. One of the most endearing, Timothy, Dumbo\u2019s talking mouse in the animated film, is all but eliminated. In fact none of the animals talk. Dumbo, from Disney\u2019s 1941 film, is from a story by husband and wife team Helen Aberson and Harold Pearl. But this film is not an adaptation. It\u2019s a different story.[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;4413&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;4434&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;4414&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]The themes of drunk, pink animals from the original classic have been sanitized. Instead, you see huge pink bubbles being blown out of proportion under Dreamland\u2019s big top. And there is a big Busby Berkley production number with scores of dancers kicking on a huge, revolving stage shot from every angle that is so choppy and poorly edited, we wanted to scream.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Colin Farrell plays Holt who returns from serving in the war. He was once a circus star trick rider but has come back to his children a broken man. His horses have been sold by Circus owner Max Medici (Danny DeVito) because the circus has fallen on hard times. His wife has died. Mom is missing. What a surprise for a Disney movie. Holt\u2019s children are being cared for by compassionate circus performers.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Max hires Holt to become the elephant wrangler. Dumbo is a newborn elephant Max doesn\u2019t know what to do with because he has oversize ears. How does Max not see that in a circus full of freak attractions, the little elephant could be his biggest moneymaker! Instead, he puts the pachyderm under wraps. Danny Elfman does the music for the film. Other than renditions of the song \u201cBaby Mine,\u201d there isn\u2019t much that\u2019s memorable.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Holt\u2019s children, Milly (Nico Parker) and Joe (Finley Hobbins) discover Dumbo can fly which is a game changer. Word gets around which creates interest from slick, moneybags, V.A. Vandevere (Michael Keaton) who graciously takes in Medici\u2019s circus performers for his glitzy Dreamland, so he can make Dumbo the star of the show and rake in lots of attention and cash. He promises to take care of Medici\u2019s troupe, but you just know he\u2019s going to get rid of them all as soon as he can. Interesting timing in light of Disney\u2019s recent takeover of 21st Century Fox.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><span class=\"Apple-converted-space\">\u00a0<\/span>Vandemere wants his girlfriend\/star French aerial artist Colette Marchant (Eva Green) to fly with Dumbo. Green plays edgy, and hard-looking, but beautiful. She\u2019s good with Holt\u2019s kids and also with Dumbo. The aerial scenes of them flying together are exhilarating, but somewhat frustrating, especially when things turn really dark with all kinds of back-stage evil machinations by Vandevere. Cinematographer, Ben Davis (<i>Captain Marvel, Three Billboards Outside Ebbing Missouri<\/i>), uses thrilling angles to show off Colette\u2019s aerial work and her harrowing flying on Dumbo.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;4419&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;4417&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;4433&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]Unfortunately, Keaton\u2019s performance is almost as bad as his plastered silver hairdo. Not entirely his fault. Ehren Kruger\u2019s script seems stilted and trite at times. There are several one liners that made us groan. When the one-armed Holt gets ready to ride again, he says \u201cI could do this with one hand tied behind my back.\u201d<span class=\"Apple-converted-space\">\u00a0 <\/span>It fell flat. And then the ringmaster, played by iconic Ring Announcer Michael Buffer, introduces Dumbo like he\u2019s revving up the crowd for a fight shouting \u201cLet\u2019s get ready for Dumbo!\u201d It was a cringeworthy moment. Especially since he\u2019s doing the same thing on a Toyota commercial at the moment.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Milly is interested in science, and her demeanor throughout is so matter of fact. She\u2019s a good problem solver, but her reactions are bland. Even when it comes time for her to squeeze out a tear later in the film, it doesn\u2019t ring true. And we don\u2019t get much personality from Joe, her brother in the film.<span class=\"Apple-converted-space\">\u00a0 <\/span>Perhaps his part is just underwritten. Then there\u2019s the line waxing poetic explaining why Vandevere keeps Colette. \u201cShe\u2019s one of many gems he wears that reflect the lights back on him.\u201d Really?<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Dreamland, itself is total eye candy. But treatment of the animals in this film is dark, disappointing and scary. And even Dumbo is not as emotionally engaging except for his eyes. And his Mother is sadly, completely expressionless and her eyes are completely lifeless.The only truly emotional scenes are at the very end when Dumbo and his Mother unite. We kept expecting Dumbo to grab his Mama\u2019s tail as shown in the weathervane atop Dreamland, but that never happened. There is some snuggling, but not warm enough. It doesn\u2019t make a strong connection emotionally.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Burton has delivered a long, cold, and his own take on an emotional story that could have been so much more magical. We were expecting more ooohs, aaaahhs, and certainly more awwwwwws seeing Dumbo come to life again after all this time. The cast is great. Burton\u2019s take is colorful and creative, using technological wizardry. But while it dazzles, it lacks soul.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Walt Disney Pictures<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>112 Minutes <span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>PG[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=7NiYVoqBt-8&#8243; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]This dark take on the animated classic is a lot lighter than you\u2019d expect from Director Tim Burton. Expect more visual glitz than a heart tugger about Dumbo and his mother. The characterization of the baby elephant with big ears depends on his crystal blue eyes for any emotion. Otherwise, his CGI movement, including the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4415,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-4411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/4411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=4411"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/4411\/revisions"}],"predecessor-version":[{"id":4438,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/4411\/revisions\/4438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/4415"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=4411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=4411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=4411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}