{"id":6336,"date":"2019-09-20T04:54:19","date_gmt":"2019-09-20T04:54:19","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=6336"},"modified":"2019-09-20T15:39:44","modified_gmt":"2019-09-20T15:39:44","slug":"ad-astra","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/ad-astra\/","title":{"rendered":"Ad Astra"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]Brad Pitt hurtles through space as astronaut Roy McBride in this visually impressive psychological sci fi drama. The pace is slow, deliberate and totally mesmerizing. Director James Gray (<i>The Lost City of Z <\/i>with Pitt) wanted to make this film the most realistic depiction of space travel ever put on the big screen. It\u2019s realistically unrealistic. He even used archival sounds from space launches to enhance the total experience. Max Richter (<em>Shutter Island, Mary Queen of Scots<\/em>), sets the mood with a dreamlike, ethereal score.<\/p>\n<p>The opening scenes put Roy on a mammoth tower-observatory at the edge of space above Earth. He\u2019s outside on a repair mission when there is a catastrophic power surge that causes him to get knocked off. He is propelled toward Earth. Your heart will race. He was facing certain death, but Roy calmly and methodically gets the situation under control. We thought this might end up being a very short movie.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>James creates the most perfect astronaut in Brad Pitt\u2019s character, Major Roy McBride. He is the son of brilliant scientist and revered astronaut-explorer, Clifford McBride (Tommy Lee Jones). The elder McBride left decades ago on the Lima Project, determined to find intelligent life, but hasn\u2019t been heard from in years, and is presumed dead. He left when Roy was a child.<span class=\"Apple-converted-space\">\u00a0Roy took up the family business.\u00a0<\/span>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6346&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6345&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6347&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Roy is emotionless in the face of danger. Nothing seems to rattle him. He constantly takes psychological evaluations through the film, always passing the test to continue the mission. H watchword is, \u201cI will not allow myself to be distracted.\u201d Roy seems to have been stripped of human emotion and empathy. That\u2019s the big reason he\u2019s separated from his wife, Eve (Liv Tyler) who James depicts in scenes forlornly looking at Roy from afar. With sad eyes, she barely says anything, but you know it just isn\u2019t working.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Because of the surge which is threatening the Earth\u2019s very existence, Space Com suspects it originated from the Lima ship now near Neptune.<span class=\"Apple-converted-space\">\u00a0<\/span>Has Roy\u2019s father gone rogue? Roy encounters his father\u2019s old friend, Colonel Pruitt (Donald Sutherland) who helps sheds light on the father and son\u2019s distant relationship.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Roy is sent on the mission to stop the surge and find out if his father is still alive. First he goes to the moon, where he ends up in a chase with pirates in lunar dune buggies a la <i>Mad Max. <\/i>That chase is ludicrous, shot from the side to side, and overhead showing wheel marks in the moon\u2019s surface. Of course, Roy wins that round and he and his crew proceed to Mars. On the way, an encounter with another ship, and the animal lab experiment on it, is one that might send you to the moon or at least make you jump out of your seat.\u00a0<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The film supposedly takes place in the near future, but not really. The Moon is already colonized, and there is a whole population living under Mars. There, Roy encounters Helen Lantos, (Ruth Negga) who was born on the Red Planet. Near future? Not so much. Discussion with Lantos about life in space and family start to make Roy\u2019s emotions emerge. When he\u2019s pulled off the mission because of his feelings, the movie devolves into standard action scenes to become a stowaway and continue the course. Can you really just climb on and leap all over a space ship as it\u2019s blasting off the surface of Mars? This becomes more like a <i>Moonraker<\/i> film. James and Cinematographer Hoyte Van Hoytema (<i>Interstellar)<\/i> use every camera angle to shoot Pitt climbing up, down and all around, to get back to his mission again.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6343&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6341&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6344&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]The arc of this story is Brad Pitt\u2019s journey towards becoming fully human. He has always been able to keep his emotions under wrap, but as the plot unfolds, he begins to lose control. As that happens, he emerges as a character who we can care about and have sympathy for. It\u2019s all in Pitt\u2019s face. The reflections of light on his eyes through the glass of his helmet show more emotion than if he said one word. His are eyes show wonder, then calculation, and finally revelation as he\u2019s learning to be human again, reflecting on memories in flashbacks with his wife and his father throughout this journey. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>You have to allow yourself to get into the deliberate rhythm of the movie. When James lets the pace dictate the progression, it creates more suspense and tension than in the few contrived action sequences that do pick it up. The director uses the supporting cast minimally. Just like Tarentino did in <i>Once Upon a Time in Hollywood,<\/i> James lets Pitt\u2019s face tell the story without much dialogue. His performance elevates this movie beyond a simple space adventure scenario. Ad Astra means \u201cto the stars.\u201d Despite the breathtaking visions James creates of these celestial bodies and space, Brad Pitt is the brightest star.<\/p>\n<p>Twentieth Century Fox <span class=\"Apple-converted-space\">\u00a0 \u00a0 <\/span>2 Hours 2Minutes<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 \u00a0 <\/span>PG-13[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=BsCNKuB93BA&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]Brad Pitt hurtles through space as astronaut Roy McBride in this visually impressive psychological sci fi drama. The pace is slow, deliberate and totally mesmerizing. Director James Gray (The Lost City of Z with Pitt) wanted to make this film the most realistic depiction of space travel ever put on the big screen. It\u2019s realistically [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6339,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-6336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/6336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=6336"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/6336\/revisions"}],"predecessor-version":[{"id":6363,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/6336\/revisions\/6363"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/6339"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=6336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=6336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=6336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}