{"id":6365,"date":"2019-09-27T01:15:34","date_gmt":"2019-09-27T01:15:34","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=6365"},"modified":"2019-09-27T01:32:11","modified_gmt":"2019-09-27T01:32:11","slug":"judy","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/judy\/","title":{"rendered":"Judy"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]Ren\u00e9e Zellweger fills Judy Garland\u2019s ruby slippers quite nicely in<span class=\"Apple-converted-space\">\u00a0<\/span>a demanding role. She\u2019s back on screen after a 6 year hiatus channeling the Hollywood show biz icon. Zellweger comes close to embodying the tormented woman, even singing her signature songs in the film. Our biggest criticism is the lack of that emotional tear in Garland\u2019s voice, but Zellweger still delivers a bravura performance.<\/p>\n<p>This artist is truly committed to this role, from her facial expressions, mannerisms, even her posture. Garland had curvature of the spine. The actress studied Garland\u2019s moves and the prosthetic nose, makeup, brown contact lenses over her bright blue eyes, and pixie wigs complete the physical transformation. And she\u2019s in every scene.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Zellweger studied with a voice coach (Eric Vetro) and the film\u2019s musical director (Matt Dunkley) to get the sound and phrasing right. And they shot songs including \u201cI\u2019ll Go My Way By Myself,\u201d and \u201cSomewhere Over the Rainbow\u201d in one take in front of a live audience with a full orchestra. No small chore for Zellweger. Reportedly there was not a dry eye in the house when she hit the last note.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>English theatre director Rupert Goold<span class=\"Apple-converted-space\">\u00a0 <\/span>based this production on the Broadway play \u201cEnd of the Rainbow.\u201d This film covers the last months of her life, living off her reputation, trying to make enough money to get custody of her children from Sid Luft (Rufus Sewell-<i>The Man in the High Castle<\/i>). Garland married 5 times, and was left with little to show for it, living out of hotels, scraping to get by.[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6375&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6379&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6376&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Flashbacks to Garland\u2019s childhood working for Louis B. Mayer on the <i>Wizard of Oz<\/i> are chilling. This was well before the #Metoo Movement and watching the way he tried to manipulate her is uncomfortable to see. Eventually, though not shown expicitly, is that he tried to touch her and only stopped when she protested. It was Mayer who put her on uppers and downers, diet pills and more to keep to her thin and working. Mayer made her very insecure telling her there was always a better looking girl who could replace her.The scene with her on a break from filming with Mickey Rooney and his rejecting her as well, didn\u2019t help.\u00a0The film takes place in 1968 when she reluctantly accepts an engagement in London at the fashionable nightclub, Talk of the Town.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Her voice is not what it used to be, and her popularity is also not what it was when she was an A-List Hollywood star with her own variety show on TV. She was known to be nervous and difficult. Most likely the result of her insecurity and the pills. Zellweger shows Judy looking and acting burned out and much older than her years. She\u2019s only 47.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>She\u2019s greeted with open arms in London by the club owner Bernard Delfont (Michael Gambon) and the woman who would be her personal assistant, Rosalyn Wilder (Jessie Buckley-Chernobyl). Buckley is remarkably good in the role. She plays it with British respect and restraint, sympathetic to Judy\u2019s plight, still knowing her responsibility to get her on stage every night, no matter what shape she was in.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6377&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6373&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;6372&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]And in the middle of this tug of war to keep Judy performing, young lover\/opportunist, Mickey Deans (Finn Wittrock- <i>Hunger Games)<\/i>, shows up and marries her to make it all even more complicated. He\u2019s just another detour for her and this movie.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Goold uses another distraction with a gay couple who are big fans and totally star struck. They buy tickets for every show. Judy had a huge following in the gay community and there\u2019s a cute scene where Zellweger plays Judy as down to Earth and human when they take her back to their apartment for a fun late, late dinner. But Judy goes off the rails with them, too.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Zellweger shows Judy\u2019s attitude with witty humor and funny comebacks, especially when something isn\u2019t going quite right. She tries to lighten things up with her kids, too. She loves them, but she\u2019s a mess. There\u2019s only one scene with daughterLiza (Gemma-Leah Devereux). They\u2019re at a party that lays flat. There\u2019s no chemistry in this mother-daughter encounter.<span class=\"Apple-converted-space\">\u00a0 <\/span>Judy\u2019s interaction with youngest daughter Lorna Luft (Bella Ramsey- <i>Game of Thrones<\/i>) show the kids are more mature than their mother.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Director Goold totally immersed Zellweger in Judy\u2019s music every day on the set and as a result, there are moments in this film where the songs just seemed to ooze out of her. She obviously worked hard to channel this Hollywood icon. There\u2019s still only one Judy Garland, but you don\u2019t have to click your heels three times to see Ren\u00e9e Zellweger pull back the curtain on her own inspired version of this tragic soul who never found her rainbow.<\/p>\n<p>Roadside Attractions <span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 <\/span>1Hour 58Minutes<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>PG-13[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=98t7aXRaA6w&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]Ren\u00e9e Zellweger fills Judy Garland\u2019s ruby slippers quite nicely in\u00a0a demanding role. She\u2019s back on screen after a 6 year hiatus channeling the Hollywood show biz icon. Zellweger comes close to embodying the tormented woman, even singing her signature songs in the film. Our biggest criticism is the lack of that emotional tear in Garland\u2019s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6384,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-6365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/6365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=6365"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/6365\/revisions"}],"predecessor-version":[{"id":6387,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/6365\/revisions\/6387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/6384"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=6365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=6365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=6365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}