{"id":7574,"date":"2020-03-04T15:01:21","date_gmt":"2020-03-04T15:01:21","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=7574"},"modified":"2020-03-20T23:30:39","modified_gmt":"2020-03-20T23:30:39","slug":"the-invisible-man","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/the-invisible-man\/","title":{"rendered":"The Invisible Man"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]This re-imagining of <i>The Invisible Man<\/i> is a frightfully good time. Elisabeth Moss is committed as the woman who refuses to give in to the sociopath who stalks and torments her from the opening scene.<span class=\"Apple-converted-space\">\u00a0 <\/span>Writer\/Director Leigh Whannell makes sure that even though she made the dumbest move by hooking up with this guy, she is not dumb. This film is relentless with a #metoo trope in that the director keeps showing Moss as Cecilia strong physically and mentally. What makes it white-knuckle-worthy is that you can\u2019t see her enemy, nor can she.<\/p>\n<p>Universal has put this modern version of H.G.Wells&#8217; classic monster \u00a0into the<span class=\"Apple-converted-space\">\u00a0<\/span>capable horror-movie making hands of Blumhouse and Leigh Whannell (<i>Upgrade<\/i>) on a low $7 million budget. Whannell\u2019s Cinematographer, Stefan Duscio, has taken advantage of every angle and sharp camera moves around corners to help you feel terrified for what this woman is up against.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Many scenes contain a lot of stunt work created using CGI, mechanical techniques including wires to drag actors as if they\u2019re been pulled by the Invisible Man. The combat choreography is impressive.\u00a0<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;7582&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;7580&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;7584&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]Elisabeth Moss as Cecilia Kass, being kept a virtual prisoner in the lush oceanfront home of her obsessive, brilliant-scientist boyfriend, Adrian (Oliver Jackson-Cohen). Cecilia has finally decided to stand up to him.When she makes a desperate dash to freedom in the middle of the night, you\u2019re introduced to the strong sound design that makes the tense elements in this film so effective.<\/p>\n<p>Little, subtle sounds like the waves crashing outside on the beach are contrasted with Kate\u2019s nervous breathing and then punctuated with the shock of a kicked metal dog bowl. The sound transforms these little mundane instances into white knuckle moments. Long, low bellowing sounds come out of silence as she tries to be silent looking for signs of her tormenter coming for her throughout the film. The music by Benjamin Wallfisch (Blade Runner 2049, IT, Dunkirk) enhances the action when there is not silence.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Cecilia is aided in her escape by sister Emily (Harriet Dyer), then seeks refuge in the home of their childhood friend and cop, James, (Aldis Hodge- <i>Straight Outta Compton)<\/i><span class=\"Apple-converted-space\">\u00a0 <\/span>and his daughter Sydney (Storm Reid). But Adrian is determined to torment the only woman who once spurned him and go after all those trying to help her. The supporting cast is good, especially Aldis Hodge as good friend and defender. Adrian\u2019s brother, Tom, (Michael Dorman &#8211; TV\u2019s Patriot, Pirates of the Caribbean), seems as cold and sinister as his sibling.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;7578&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;7588&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;7583&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]But Ceciia is the desperate but strong woman who shows she can take care of herself. Moss definitely has a dark side as evidenced in her many projects (<i>The Handmaid\u2019s Tale<\/i>, <i>Her Smell<\/i>). She is strong in this film, too. Her closeups show how she has refined, even more, expression of terror and complete disdain for the man who is bent on trying to completely control her. But You also see that the gears are always moving, plotting what she can do to expose her unseen foe. Whellan does not hold back from showing plenty of blood and gore while Cecilia and her friends are being hunted and haunted by her former lover. You see that Cecilia and James are amazingly resilient.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>There are several flaws in the movie which make some of Cecilia\u2019s brave moves seem unlikely and the film a little contrived. Some of her methods of escape seem to work better than they probably should have, like the attic scene. And how did that cell phone magically appear in her hand to call an Uber?<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The structure, pace, sound design and camera work, along with the dogged performances add to the suspense which more than keep your glued to the screen. And just like the villain, there&#8217;s a twist you won&#8217;t see coming.\u00a0<em>The Invisible Man<\/em> is a sight to see, even if you can\u2019t see him.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Universal Pictures<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>122 minutes<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>R<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0<em><strong> \u00a0 \u00a0 \u00a0See at home or on demand.<\/strong><\/em><\/span>[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=dSBsNeYqh-k&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]This re-imagining of The Invisible Man is a frightfully good time. Elisabeth Moss is committed as the woman who refuses to give in to the sociopath who stalks and torments her from the opening scene.\u00a0 Writer\/Director Leigh Whannell makes sure that even though she made the dumbest move by hooking up with this guy, she [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7595,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-7574","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/7574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=7574"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/7574\/revisions"}],"predecessor-version":[{"id":7734,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/7574\/revisions\/7734"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/7595"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=7574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=7574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=7574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}