{"id":9051,"date":"2020-09-03T01:20:13","date_gmt":"2020-09-03T01:20:13","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=9051"},"modified":"2020-09-03T01:20:13","modified_gmt":"2020-09-03T01:20:13","slug":"tenet","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/tenet\/","title":{"rendered":"TENET"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]Confusion reigns in this mess of a movie. It\u2019s so hard to follow, we almost wished we could rewind scenes, as Christopher Nolan\u2019s plot does, to try to understand it. Still, it was exciting to see our first big action flick in a theater since March, safely, with only a handful of other audience members.<\/p>\n<p>The sound design of this film is opressively loud. If you go to see it in a theater, take ear plugs. But know that might make it almost impossible to hear the details of Nolan\u2019s time travel premise. The actors are often drowned out by the ear shattering score speaking mumblecore. The actors seem to be mumbling through their lines. We had to strain to hear what might be explanations.<span class=\"Apple-converted-space\">\u00a0 <\/span>And every time you\u2019re about to get an action scene, the volume ramps up to new heights.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>John David Washington (<i>Blackklansman<\/i>) has already proved himself a great actor, but he might not have been the best choice for this role. That doesn\u2019t mean that he didn\u2019t meet the challenges of the action scenes, but that his personable and engaging personality didn\u2019t ring true for the strikingly hard persona he is portraying as The Protagonist. Nolan doesn\u2019t even give his character a name.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9068&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9059&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9072&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]His character ends up trying to protect the wife of a Russian oligarch. Kenneth Branagh is all too convincing as controlling rich, Russian villain, Andrei Sator, who is trying to procure a new power to destroy the world. His broad character machinations are spot on. And He also wants to destroy his wife, Kat, played stoically by the lithe Elizabeth Debecki (<i>Widows, The Burnt Orange Heresy<\/i>). All she wants is custody of their son and to get him away from her tyrant of a husband. It seems pretty standard and without much emotion. There\u2019s practically no tie nor friendship, let alone romance, between The Protagonist, (Washington) and Kat. This thin emotional plot line leaves you wondering why he felt compelled to get so involved in the first place to save her.<\/p>\n<p>Robert Pattinson saves the day with his more aloof, let\u2019s not take this too seriously, demeanor. Even his suits are more relaxed than Washington\u2019s. It always looked as if Washington was trying to be something he was not. At times, with all the bells, whistles, gadgets and fancy locales, this film looks a bit James Bond-ish. But even with the lush locations, the characters are definitely not as slick. Pattinson comes close and provides a little relief.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Nice to see Michael Caine looking so well, but he\u2019s in there for a minute. But also nice to see Dimple Kapadia as Prya, the female mastermind behind the time-bending new technology.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>It looks like the trappings and action scenes try to make up for what\u2019s lacking in the story. The scene where Washington and Pattison bungee up a building is impressive parkour. So is Washington using every chef\u2019s tool in sight battling several men through a high-end hotel restaurant kitchen. The big rotating cylinders that take the characters backwards and forwards through time are curious objects, but ill explained. And the use of a runaway plane plowing into a building for distraction is definitely explosive. There are plenty of explosions throughout along with cars and broken glass flying along with the bodies. Though, thankfully, not that much blood.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9061&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9067&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9065&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]The big chase scene with cars going forward and in reverse at break speed is exciting, but not heart-pounding, and the stunts with people jumping between cars is<span class=\"Apple-converted-space\">\u00a0 <\/span>so unreal, you almost expect it.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>In the final scenes, in some remote place, we are never told what it is or where. It\u2019s jam-packed with men covered in black combat gear in a supreme battle. But it\u2019s hard to know who\u2019s who. It\u2019s just all very confusing. Scientific terms, especially the word, \u201calgorithm,\u201d are bandied about without much explanation and the visuals go by so fast that it\u2019s hard to decipher what it all means. Playing with time travel so that you can leave seeds from the future in the present is an interesting premise, but it gets lost here.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Does this film look like it cost $250 million to make? Yes. But the story is structurally convoluted. Just like the palindrome title of the movie, it goes back and forth the same way. You might want to wait until <i>Tene<\/i>t is streaming so you can play it forward and in reverse to figure out what Nolan was really going for. And you&#8217;ll be able to control the volume.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Warner Bros.<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 <\/span>2 hours 30 minutes \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0PG-13<\/p>\n<p><b><i>In theaters only<\/i><\/b>[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=L3pk_TBkihU&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]Confusion reigns in this mess of a movie. It\u2019s so hard to follow, we almost wished we could rewind scenes, as Christopher Nolan\u2019s plot does, to try to understand it. Still, it was exciting to see our first big action flick in a theater since March, safely, with only a handful of other audience members. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9058,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-9051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/9051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=9051"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/9051\/revisions"}],"predecessor-version":[{"id":9074,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/9051\/revisions\/9074"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/9058"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=9051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=9051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=9051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}