{"id":9523,"date":"2020-10-21T21:38:29","date_gmt":"2020-10-21T21:38:29","guid":{"rendered":"https:\/\/moviesandshakers.com\/staging\/4428\/?p=9523"},"modified":"2020-10-21T21:38:29","modified_gmt":"2020-10-21T21:38:29","slug":"rebecca","status":"publish","type":"post","link":"https:\/\/moviesandshakers.com\/staging\/4428\/rebecca\/","title":{"rendered":"Rebecca"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_section][vc_row][vc_column][vc_column_text]Location. Location. Location. That\u2019s the best part of this film starting with gorgeous settings on the French Riviera. But Director Ben Wheatley\u2019s remake of Alfred Hitchcock\u2019s classic film is a rather stiff and stilted version of Daphne Du Maurier\u2019s romantic novel.<\/p>\n<p>Writer Jane Goldman grabs a few lines from the original story, but doesn\u2019t create the emotion, nor the disturbing and threatening atmosphere Lily James as the new Mrs. DeWinter is supposed to encounter. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>James plays plain enough as the never-called-by-her-first-name, assistant to Mrs. Van Hopper. Ann Dowd plays continuously condescending to perfection picking at her bland assistant to educate the sheltered young woman to the ways of the world.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The love story of a young assistant to the rich who meets her prince charming on the French Riviera turns into a tense relationship after they marry. The new wife has to live in the shadow of the late, great Rebecca, whose reputation is as big as her Manderley mansion which is more a castle fit for an evil queen than a princess. It\u2019s filled with frightening memories of the first Mrs. De Winter which are only enhanced by Mrs. Danvers (Kristin Scott Thomas) who is trying to keep the first wife\u2019s buoyant reputation alive.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9537&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9528&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9529&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text]When Mrs. Hopper and the assistant encounter the tall, blonde and handsome Mr. De Winter (Armie Hammer), they unexpectedly have lunch together on the posh hotel veranda where they are all staying. Hammer is a good actor and a handsome presence. But, at times, it looked as though he was just going through the motions. We\u2019ve seen him exhibit more depth.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Lily James is a little looser and fun playing naive being shown around the C\u00f4te d\u2019Azur in Maxim\u2019s expensive roadster as they get to know each other. Fast courtship and voil\u00e1, they get married. He rules the roost and she has become a willing follower, but there isn\u2019t a whole lot of chemistry between the actors nor the characters. The bride awkwardly tries to adjust to her new life as Maxim plays cool to cold towards her and everybody. It becomes even more difficult as Mrs. Danvers repeatedly lets the new lady of the manor know she can\u2019t possibly measure up to Rebecca.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>It gets especially weird when Danvers makes the new Mrs. DeWinter touch the sheer black neglige still laid out on Rebecca\u2019s bed. Wheatley nimbuses this and other scenes with attitude suggesting that Danvers had romantic leanings toward Rebecca herself. Danvers is the keeper of the keys and a scary one at that, but Scott Thomas\u2019 icy glare and stare are not as threatening as Judith Anderson\u2019s in Hitchcock\u2019s classic. In that version the stoic Lawrence Olivier was wooing the meek Joan Fontaine. Hitchcock\u2019s original was my mom\u2019s favorite and she would not have been happy with this remake.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The cinematography of France and the Weatherly Mansion are magnificent. The costuming is well done, and quite stunning for the vast cast dressed up at the ball. But Maxim\u2019s garish gold suit at the beginning of the film seemed out of place and not up to rich conservative attire for that time. This romantic novel won\u2019t have you riveted to the screen to see what happens next, and the ending becomes an unlikely, outdated detective story. Sam Riley as Maxim\u2019s longtime friend, Jack Favell, is good as a despicable buddy. But to the young Mrs. DeWinter, his sneer shows he\u2019s got some kind of secret under his hat.<span class=\"Apple-converted-space\">\u00a0<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9530&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9525&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;9531&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]The cinematography by Laurie Rose (<i>Stanand Ollie<\/i>) of France and the Manderley Mansion are magnificent. The costuming is well done, and quite stunning for the vast cast dressed up at the ball. But Maxim\u2019s garish gold suit at the beginning of the film seemed out of place and not up to the upper crust, conservative attire for that time. This romantic novel won\u2019t have you riveted to the screen to see what happens next, and the ending becomes an unlikely, outdated detective story. Sam Riley as Maxim\u2019s longtime friend, Jack Favell, is good as a despicable buddy. But to the young Mrs. DeWinter, his sneer shows he\u2019s got some kind of secret under his hat.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>If you miss travel and want to see magnificent surroundings in vivid color showing off the south of France and that mansion in England, this is for you. But if you want to see a riveting romance novel, visit Alfred Hitchcock\u2019s version in black and white for a tense and chilling film experience.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><b><i>Netflix <span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0 <\/span>2 hours 1 minute PG-13<\/i><\/b>[\/vc_column_text][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=LFVhB54UqvQ&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221; css_animation=&#8221;fadeInUp&#8221;][\/vc_column][\/vc_row][\/vc_section]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column][vc_column_text]Location. Location. Location. That\u2019s the best part of this film starting with gorgeous settings on the French Riviera. But Director Ben Wheatley\u2019s remake of Alfred Hitchcock\u2019s classic film is a rather stiff and stilted version of Daphne Du Maurier\u2019s romantic novel. Writer Jane Goldman grabs a few lines from the original story, but doesn\u2019t create [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9532,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-9523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/9523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/comments?post=9523"}],"version-history":[{"count":5,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/9523\/revisions"}],"predecessor-version":[{"id":9538,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/posts\/9523\/revisions\/9538"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media\/9532"}],"wp:attachment":[{"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/media?parent=9523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/categories?post=9523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/moviesandshakers.com\/staging\/4428\/wp-json\/wp\/v2\/tags?post=9523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}